This work was on the easel when Ben met Rae in april 1930. Read the story of their historic first meeting here.
Carnations and Lilies
Nov 30th, 2012 by David Leopold
Rae Abstraction
Nov 10th, 2012 by David Leopold
No relation
Oct 30th, 2012 by David Leopold
Rae
Oct 15th, 2012 by David Leopold
We found a great watercolor of Rae behind this pastel in 1998.
The Great Willow
Sep 30th, 2012 by David Leopold
Summer Afternoon #1
Sep 3rd, 2012 by David Leopold
Bather #2
Aug 24th, 2012 by David Leopold
Rae – Profile
Jul 30th, 2012 by David Leopold
This is the last formal portrait of Rae. she is wearing the same dress from the well known 1935 portrait at the james Michener Art Museum.
We hope you enjoy your gift!
May 15th, 2012 by David Leopold
By now, those of you on our invitation list should have received your mailing for our new show. We hope you enjoy the gift of the two Solowey cards in the mailing. It is our way of saying thank you for the first twenty years. You made Rae Solowey’s dream come true.
A Drawing Lesson from Ben Solowey
May 12th, 2012 by David Leopold
Artist Simon Mauer tells of his unique Ben Solowey experience:
My wife Susan and I have had many pleasant and enriching visits to the studio of Ben Solowey, and as artists we particularly appreciate Ben’s skill in so many media. His work always has genuine beauty and often a poetic quality which charms the beholder. I am always attracted particularly to his charcoal drawings of which he was a master. I have often thought as I looked transfixed at them “if only I could go back in time and get a lesson from Ben; what knowledge I could gain!â€
One day at a recent visit to the Studio it occurred to me: why not ask if I could copy one of Ben Solowey’s charcoal drawings, surely there would be something to learn there! After all, copying has been a common means of learning from past-masters for centuries. David invited me in and I was, as always upon entering the studio, somehow changed, as if in a hallowed place; the smell of the old linen canvases and oil paints beguiling me, putting me in a state of mind receptive to aesthetic experience. After swinging my gaze around the room trying to mentally absorb the whole scene, appreciate all the beauty of the paintings and sculptures, the furniture and other artist’s accoutrements, I looked at a few of the charcoal drawings and in short order found one that was particularly striking; a dramatic likeness of Walter Huston in the role of Othello. This was irresistible. I set up an easel and my drawing board. Continue Reading »